How To Make It Big In The Music Industry

How To Make It Big In The Music Industry – Wons Phreely is an Australian-born, LA-based synth-pop artist who has received rave reviews from all over, including KCRW.

He also happens to make his own eye-catching music videos. One in particular caught my eye where he sings the whole song like a detached head being carried from place to place.

How To Make It Big In The Music Industry

As a relatively DIY project (shot for less than $1000 and without green screens), the results are really impressive:

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I thought Wons Phreely would have some good advice for indie artists looking to produce their own videos, so I asked him a lot of questions.

Not only did he provide detailed answers, he also provided behind-the-scenes videos to illustrate some of the points!

CR: Can you break down the cost and hours of making your video? What are we talking about in terms of pre-production, the video shoot, editing and effects?

WP:  The cost breakdown is pretty simple; I collaborated with a cinematographer named Laffrey Witbrod. Laffrey and I worked together on a film in which I acted. We became friends and decided to make the music video together. I took on the role of director, and he was director of photography. I also ended up creating all the digital effects and handling the editing. So the costs were not that high.

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Laffrey and I shot for five days, and then one extra day for one of the difficult shots that didn’t work the first time. I then ended up spending two and a half months locked in my room in front of the computer for ten hours a day creating the post-production look. So the cost was all about our time, making time and giving up all other things in life for that time.

There was also time spent emailing friends and asking them to be on location, and we spent time driving around Hollywood and working out where we could shoot, and try to find out if we are moved by the police. For all our extras and actors, a little money was also spent on food and spices.

We rented some equipment from a gear sharing website called ShareGrid where you can pick up extra lights, lenses and camera stuff for good prices from people in your neighborhood. All in all the film costs under $1k, but probably about a thousand hours of time I think, but I’m a little lost track.

As for pre-production, the first thing that happened here was coming up with the idea, then there was some testing to see if it could be done. I shot the first tests on my iPhone; I just asked a friend to shoot me in different setups needed to tell the story of the video. Of course, there was no point in getting the real camera or cinematograph in the initial testing stage, as I just needed to figure out if I could get the photos first, so my iPhone was fine.

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Then I took these into Final Cut Pro X (FCPx), and managed to roughly work out how to achieve the effects. I’ve been using FCPx for a few years and I really like it, and I’ve been a Photoshop master for a while, so even though I didn’t use Photoshop in the tests, the time I spent in Photoshop gave me the past an understanding of how I could achieve the effects I wanted with layers and masks in FCPx.

The tests turned out quite well, and the reactions I got from friends were really positive. But the pre-production tests also showed me that I would need a real VFX program like After Effects if I was going to make this idea really great for more than four minutes running time. I also decided to get a practical effects person to create real physical effects that could be built and shot on set, but after meeting a few makeup artists I decided it would be better to do so much of the VFX digitally and simply build every practical physical effect yourself.

Once I had decided that I could make the film and tell the story in my head, I story-boarded each shot. I’m good at drawing and it’s nice to use a pencil now and then. After I had each shot with a story on board, I scanned the drawings and took them into FCPx and created what is known as an Animatic.

This is where you sort of semi-animate the drawings and cut between them and play them back along with the song so you can get an idea of ​​the timing of the shots with the song. It gives you an idea if some shots will be too long and boring and if you need to add some new shots to keep the viewers attention. Music videos are typically quite fast; so you can’t just sit on shots for too long.

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The song is about that sensation of feeling a little out of place in your hometown, if you were meant to be something or somewhere else in the world, and if you don’t make your move soon, you’ll end up dead inside.

Ister I know we should settle but I can’t live a lie… I just get this feeling that I might explode inside” don’t hear. Like how sometimes I’m with the people closest to me, and not really connecting with the conversations and wishing we were talking about making art or music.

That’s the lyrics “these conversations where it’s like there’s nothing to add, there’s got to be something else…I’m just dying to taste a little bit of action, to find that one place where’ t we can really be something.”

So I started thinking about how the video could show a guy who doesn’t feel like he fits in, and that people are just going about their lives all around him day in and day out, without really even noticing that he is there.

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It was going to be a normal kind of dramatic piece, but then I started thinking how when I watch short films, it’s the funny ones that I care about more than the dramatic ones. I feel that in a short period of time, like a four-minute movie, it’s easier to care about a character if they make me laugh, whereas if they try to hit me with some hard emotional truth, I’m not really going to I care so much because they don’t have enough time for me to buy in their need or difficulties. I feel that good drama might need more time for character development.

So when we first released the single as just audio, it premiered on NYLON, and they wrote the headline – “The New Wons Phreely Single Belongs On The ‘Stranger Things’ Soundtrack” – and this made me think, why not I try to make the main character not only have this feeling inside of being different from everyone around him; why don’t I let him have something physically different about him, look something strange, and still not pay attention to the people around him?

I thought this would allow us to include more humor. Then I started thinking about how I read that the most interesting thing for a human to see is another human’s face. Like most songwriters and singers, I’ve spent quite a bit of time thinking about what makes something for other people to watch in videos and in live performances; how can we connect with other people so that we can share our message with them. I think the best way to present someone who loves to write songs and sing for other people is to show that they do just that; show them singing. It’s what they do; it’s what they’re all about. Music has become a visual medium, which is really ridiculous, for TV and digital media, music used to be listened to. In a perfect world there would be no music videos, we would just listen. I think there would be many better songs around. But we live in a visual world. I love images; I just prefer to separate them from music a bit.

The thing I’ve learned about producing songs versus making movies is that when you’re making songs, the only real limitation is your own ability and creativity. If you can think of a great lyric or melody, you can put it into a song, and you can record it. With filmmaking there are limitations, because to create unlimited film ideas you need a budget of millions and a team of hundreds of experts. So when I write a song, I don’t limit myself; I try my best to make the song exactly what I dreamed of, but with music videos you don’t have that luxury.

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Author: Sofia Gonzalez